Academia

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I am a teacher, scholar, feminist and performer (among the other identities I shift in and out of). One of the common threads that runs through all these roles is the desire, and even the necessity, to critique and thus transform. But when you’re critiquing someone’s dancing, someone’s writing, or someone’s political stance, how do you go about it positively, in a way that makes people receptive to it (or at least doesn’t turn them off from the very first words you say)?

One dancer I respect told me that she always praises a dance student before going on to offer criticism (as in, “That was a beautiful shimmy! Now make sure you stay in posture and hold your arms at shoulder height”). That helps a student be ready to receive the criticism and take it to heart in the way it was meant: as a tool to aid in growth and progress, rather than as an insult or an attempt to take someone down a notch.

At conferences, if I see a paper I really don’t like because I think the scholar doesn’t know what she’s talking about, I try to open with something nice before I go on to my criticism (for instance, “I thought your connection between X and Y tale types was really clever. However, I think you may be a bit off base in focusing on the origins of motifs that we can’t verify with empirical research…”). Not that it always works; I’ve had people go into rude-defensive mode, but at least I tried.

As a feminist, I’m aware that it can take a lot of positive reinforcement to reach a woman through the layer of negativity that we tend to accrue in our culture. Sometimes it takes a while to get someone to accept a compliment—and I mean truly accept it, not just smile and nod while thinking “But I’m actually still doing the whole move wrong, and I’m fat, and I’m not as young as the other girls in the class.” This is unfortunate, and I’m hoping that creating more safe spaces for women to, for instance, take up belly dancing for the sheer joy of it will help.

I wasn’t always this way; people who have danced with me know that I tend to be extremely critical of myself and of others. But I mean it in the best possible way; I assume that everyone is as ruthlessly disciplined and intent on self-improvement as I am. I’ve since learned that this is not true, and that not everyone wants to hear about every little thing they did wrong in a choreography, or every little thing I think could’ve been better in an essay. I still think that my ability to be incisively critical is one of my strengths, since I have a highly trained eye when it comes to both intellectual and aesthetic pursuits, but I’ve learned to keep a lot of my thoughts to myself unless asked to share. I’ve seen, firsthand, how important it is to boost people up before you tear them down (or act in such a way that they perceive it like that). I’m stubborn so it took a while for me to recognize this, but I’m here now. And I also, along the same lines, try not to say anything unless I have something nice to say, which is hard since I tend to be blunt, but oh well.

So  now, because I truly believe that it’s both important and effective to offer creative, positive, or constructive comments/suggestions before moving into the negative, destructive, or super-critical stuff, I’m figuring out how to implement it in the rest of my life.

For example, as a pro-choice, sex-positive feminist, I am not thrilled with how so many American religious conservatives want to not only outlaw abortion but try to restrict access to birth control and sex education. This, when our country can’t even seem to take care of the children that already exist: malnutrition, poor literacy, and other physical and social health issues plague our young. So… why not address this issue (the constructive part) before trying to take away people’s choices and access (the destructive part)? I mean, why not throw all those resources into trying to help the needy citizens of our country instead of legislating against, shaming, and sometimes even committing acts of violence against the people who provide access to and obtain abortions and birth control?

That is the political feminist portion of this post, and I know that not everyone will agree with me here (for instance, you could argue that saving the life of a fetus is a more constructive act than trying to help an impoverished child, prisoner, or mentally ill person, though I’m not quite sure how that logic prioritizes a not-yet life over an existing life). But what I hope people get out of this post is the will to reexamine your rhetoric, intentions, and actions when you interact with people. Could you go about something more constructively or creatively at first? Could you do something to inspire confidence in someone rather than insecurity?

(fyi, I was tempted to make a bunch of jokes about constructionism vs. deconstructionism for my academic readers, since I’m a huge social constructionist and find deconstruction to be passably interesting, but I’ll spare you!)

It basically comes down to this: do you want to create or inspire, or tear things down? There’s certainly a time for both, as when tearing down harmful institutions such as slavery or fascist governments, or in times of personal metamorphosis, but I think we need to examine our motivations in which types of actions we begin with. Since I’m folklorist, I’ll remind others: you win more flies with honey than vinegar.

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I’ve been meaning to post about various things lately; some of my post ideas include why I’m okay with being an angry feminist, some thoughts on education, and things along those lines. I’m working on a few papers for publication, too. One is on sacred and spiritual belly dancing in America, and I’m quite excited about it. My interview material is a few years old but those dancers I’ve been in contact with recently are also really enthusiastic about participating. I hope to have more information about when and where that essay is coming out soon.

However, I’ve been really bogged down with wedding planning among other things. Yep, I’m getting married, though it’s not something I talk about a lot in public webspace for a number of reasons. For one, as I discuss in this MySexProfessor post, women tend to be judged by whether or not they’re single, and that’s something I want to avoid. For another, I feel that navigating wedding planning as a feminist is really complicated. Does it make me a bad feminist to want to get married? I mean, the institution is based on the idea that women are property, and though it’s changed a lot, it’s not perfect. I also don’t want to give the impression that wedding planning (or being married) is detracting from my ability to do research or be a good academic.

However, I do have admit it: wedding planning is tough. It takes a lot of energy, and I’m not even doing the bulk of the logistics (thank goodness for my family being so on board). I find it especially draining since I don’t buy into a lot of gender normative ideas, but that is like ALL there is to wedding advertising and crap these days. It’s really frustrating. So I can spend a few hours each day doing wedding-related stuff, and a few hours each day doing research, and then since I’m visiting my family in L.A. we also have to see relatives and go out and do stuff. And since my family is full of foodies that also means we’re spending a lot of time at farmers markets and gourmet restaurants, and in the kitchen preparing lovely meals. And since I am eating so much I’m also making sure to exercise a lot; I might as well take advantage of the beautiful hills to run in while I’m here.

All of which is to say that I’ve been on a semi-vacation, trying to relax after finishing my PhD, giving myself some space in which to work on various projects and also get my life together.

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This Chronicle article by Emma Thornton tells a familiar story: a female academic is told she appears “too confident,” observes that a lot of the upper echelons of academia are overwhelmingly male-populated, and ruminates on the emotional labor or “women’s work” that female academics invisibly perform.

Characterizing this women’s work, which she calls “cuddle work,” the author writes:

…women were expected to do, and did do, more of what I call the “cuddle work” of academe: reassuring worried students, listening to problems, taking time outside of classroom and office hours to offer help and support. And as long as I’ve been in academe it’s seemed to me that women attend to their “school” work with a conscientiousness detrimental to their research. Too many women devote hours to committee concerns and go out of their way to make sure other people’s needs are met as soon as possible—to a degree that plays havoc with their own careers in an academic world that has forgotten that educating is its primary goal.

Women are raised to say yes, to help people, to be pleasant, so academic women must overcome a lot of social conditioning in order to turn down constant requests for help and focus on their own research. It’s really disheartening to realize, however, that a lot of labor we’re expected to do is invisible and unpaid; in addition to the nurturing we perform on campus, there’s probably unpaid domestic labor waiting at home.

As it’s become so prevalent, I forget where I first encountered the idea that academics really need a wife at home to take care of all those daily-life tasks, but the sexism inherent in many university roles is well described here. And here is an enumeration of how many advantages an academic woman loses when she has children; it’s enough to make me want to tear out my hair with frustration, and I haven’t even 100% decided whether I’m having kids yet.

However, I’m completely with Thornton when she talks about complicity and infiltration as a strategy to subvert:

I’m willing to tone down my confidence if it might get me a job, because I need to put food on my table and pay off my student loans, and because I believe infiltration is a powerful tool. But once I’m in the door I intend to be as confident as I naturally am, and as expectant, and I hope to encourage other women to be the same way.

This is one of the reasons I really want to land an academic job now that I’ve finished my PhD; I want to be a role model to women and other minorities, and I want to help open the door for others like me.

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For over a month now, I have been thinking about the intersections between issues of interest to Digital Humanities (DH) scholars, feminists, and sex educators/researchers. I’m not the only one to consider these connections, but my positioning as a scholar who does DH and gender/feminist studies, while also writing for a Kinsey-affiliated sex blog, might help me see some novel patterns.

On the scholarly side, the DH community has written a lot about gender and our particular area of academia. Kicking off a large debate, Miriam Posner’s Some things to think about before you exhort everyone to code acknowledges the intersectionality of identities in academia, such that yeah, it is often harder for women to get into coding than men. Bethany Nowviskie’s response Don’t Circle the Wagons cautions us not to put up gender barriers where unnecessary, and she also makes the canny move of contextualizing this whole discussion in current US politics, which are, to say the least, not very woman-friendly. Among the many responses (so many of which were really wonderful, and I wish I could go into more detail about them; Miriam links some here), A spot of mansplaining by Hugh Cayless also helps contextualize coding as an exclusionary field, one which has ingrained social dynamics ensuring that women (also the elderly, and other groups not privileged with certain kinds of education or access) will have to fight for the opportunity to learn at all.

And, of course, there’s Tanya Clement’s I am a woman and I am a mother and I do DH that heart-rendingly exposes some of the sexism at the core of our field, as well as in academia and society in general. Her “fear that someone will find out all of the ways in which my identifications as a woman, a friend, a mother, and as a DH academic do not follow the way everyone else who has identified themselves as such might define those same identities” really resonates with me, as a shy/introverted but obstinate woman determined to make my own life and my own choices even if they’re not the norm.

While I don’t intend this to be a post about gender and coding in DH – as plenty of others have already covered that ground – I will say that I view coding like any other tool in my scholarly toolbox. I’ll learn it if it’s going to help me in some concrete way, but otherwise, I’ll leave it until later. I mean, to draw a parallel, given my scholarly interests in north-east India, I should totally get on learning some of those languages ASAP, but as I haven’t narrowed down which ethnic groups I want to work with, I can’t yet make an informed decision about which language to learn. Besides, English will get you pretty far in India. And if you have colleagues who will translate for you on field excursions, leading to a fruitful collaboration… well, you see where I’m going with this. This approach tends to work in DH too.

But back to cultural context (I am a folklorist; we really like talking about context). The DH Twittersphere discussions about open access really intrigued me. As much as the DH community seems to love to debate various minutiae, open access seems to be one of the significant themes connecting our discourse and our activism. I feel very strongly that we should make as much of our research as accessible to the public as possible. I recognize that there are some constraints on how much of that we can feasibly do right now, while still retaining enough value in the eyes of our institutions. Most of us agree, however, that closing down avenues of access is generally a bad idea; it tends to be motivated by power, money, and a desire to control.

In introducing the awesome initiative Open Folklore, my colleague Jason Jackson makes some incisive remarks, situating the project “in the context of the serials crisis, the corporate enclosure of society journal programs, the erosion of the university press system, the development of open source software for scholarly communication, and the rise of the open access movement as a progressive response to these changes.” The scholarly open access movement, in short, is a multifaceted response to a whole slew of social, economic, and political issues.

Further, Jackson (among others) has contextualized the open access issues within the larger cultural framework of the Occupy Movement, which has been drawing attention to the inequalities that riddle our society. While the Occupy Movement casts a broad shadow, one notable topic it includes is health care, specifically for women. Occupy Birth Control argues: “Just like the vast majority of Americans want an economic system that is just and want banks held accountable for predatory lending and other amoral (and sometimes illegal) practices and the government held accountable for enabling these practices, the vast majority of women—and the men who care about them—believe access to birth control is a right.”

The battle for women to have, essentially, open access to their bodies is growing increasingly bitter, with women wanting birth control called sluts or pregnant women told to just carry their non-viable fetuses to term like livestock do (references here). So we’ve got links between the movement for birth control and the Occupy movement, and links between the Occupy movement and the open access movement, which is of interest to DHers… I don’t think I’m mistaken in thinking “if A equals B, and if B equals C, then A equals C.”

Since I’m trained to see larger social patterns (again, yay folklore!), here’s my argument: that the same conservative, power-oriented cultural forces that want to close off our intellectual access are the same forces wanting to close off our sexual access. No, I’m not saying it’s one Mr-Burns-like figure in some global conspiracy to make everything suck for professors and sex-positive folks (I’ve read too much Foucault for that kind of view to be believable). Rather, I’m saying that there are large trends in our culture (mostly America, but the rest of the West to a degree) that are anti-intellectual and anti-feminist and anti-progressive, and a lot of these trends overlap, perhaps sharing funding by large corporations and churches and politicians. In a similar vein, I could ask: do you know who benefits from open-access everything? Everyone does… but who benefits from closed access stuff? Only some people… but they are going to fight to retain their power over access issues.

In short, I think a lot of the same people and ideologies that don’t want our research to be freely available also don’t want us to have knowledge about our bodies and sexualities. Obtaining accurate information about pregnancy and STIs, not to mention affordable birth control, is getting harder and harder in some places. An uninformed population that is constantly occupied (deliberate word choice there) with childcare (perhaps wanted, perhaps not) and student loan bills is an easily ruled population. And this is where I think scholars and sex activists really share common ground, even if we don’t always think of it that way.

I have a friend who is fond of saying: “All forms of oppression are connected.” Perhaps the connections are subtle, or perhaps you need to don your bell hooks goggles to see them better. Either way, I hope this post was at least a little thought-provoking.

Obviously, I’d love to see more DH scholars doing gender-aware work and advocating for access to better sex education (which our country really needs; our teen pregnancy and STI transmission rates blow in comparison to much of Europe). I’d also love to see more sex researchers and educators taking advantage of our cool digital tools and progress in the fight for open access publication. But I know that everyone has time constraints and obligations and we can all only do so much. So mostly, I’m writing this post to help spread awareness.

I also want to put my money where my mouth is, of course. Since I’m now Jeana Jorgensen, Ph.D., but I’m not yet certain which distinguished institution will hire me to do awesome stuff, I don’t know what kind of funding or research time I’ll be looking at for a study that applies DH strategies to understanding (and perhaps solving) a pressing sexuality issue of our day. I’d love to hear from the feminist/sex-ed blogosphere on this and maybe find someone with whom to collaborate.

In the meantime, feel free to go read What can I do for feminism? over at the always-fabulous Feminism 101. And for sex-positive folks that wandered over from the interwebs and want to get a sense of what this DH stuff I’m talking about it, feel free to read my DH lecture notes which contain links to a bunch of other resources that explain what we’re all about. transformdh (here on Twitter) is also a movement I’d like to get more involved with now that I’m more or less done with my dissertation. I think we could all have some really awesome conversations together.

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It warmed my heart to see this Chronicle piece on gay mentors in modern academe. The column is co-written by a student who came out as gay to his professor who is also gay, and it describes their interactions and their supportive mentor-mentee relationship. Professor Faunce writes, “we need to be on the front lines about this…in a compassionate show of hope for pre-teens and young adults who might otherwise be struggling in silence.” And I utterly agree… but how to manage it?

Faunce notes of coming out to one’s students in order to show oneself a possible ally: “Obviously this can be a contested space for a professor. Where is the line, for instance, of self-declaration regarding sexuality, gender, class, or race?” I think it varies according to the kind of class one is teaching, and the rapport one has with one’s students. While I would find it inappropriate to regale my students with sordid tales of my sex life, I would not find it inappropriate to have a conversation with a student who is questioning her or his sexuality and is looking for a sympathetic listener, or for someone to point them toward some resources.

Another point I like from Faunce is that he feels as academics, we are supposed to be “looking for meaning from a great many sources while also imparting our knowledge and acquired wisdom to our students. As a gay academic, I feel it is increasingly my moral obligation to provide students—not just the gay or questioning ones, but also the straight or straight-questioning students—with a role model of a different sort.” I concur that academics have the potential to be role models for their students in a great many ways: not just as inspiring knowledge-seekers or teachers, but also as a figure that the student can identify with on a personal level. For instance, I can say as a woman that it has been amazing to have female mentors in the academy – to see that Someone Like Me can succeed in an intellectually rigorous environment despite barriers such as misogyny.

How I plan to go about inspiring and empathizing with students is tricky, though. Anyone who talks to me for more than 5 minutes or reads my blogging will have a pretty good idea that I don’t subscribe to a lot of heteronormative thinking. As a grad student, I’ve shared a lot of resources on sex education with friends in my cohort simply because I’ve had the good fortune to work with sex educators and sex researchers at MySexProfessor.com. But will that easy, free-flowing exchange of information have to cease once I put some more letters behind my name? Will the conversations containing sexual advice (based on personal experience or gleaned from books – does it matter?) have to stop?

Some scholars don’t think so. Joanna Frueh writes in her chapter “The Amorous Stepmother” in Monster/Beauty: “The stepmother, the female professorial bad body, points out a gap in pedagogical theory, a gap that we must expand by understanding ways in which she contradicts and confuses parent-child and other teacher-student models” (216) whereas “The parent-teacher is disembodied. Representing the university in loco parentis, she or he must be the good body, aesthetically/erotically unobtrusive, for the parent-teacher not only intellectually but also morally guides the student, the latter in conventionally appropriate ways” (225). But any kind of sexually charged academic interaction or identity can be dangerous for the scholar.

I wish I had better ideas and answers. Or, you know, tenure. But hopefully someday I’ll be in a situation where I can let students know that if they ever have any questions about how to navigate sexual identity and other issues of sex and society, my office door is open, and I’ll help in any way I can.

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I am wholeheartedly in agreement with this blog post that says: “in research terms blogging is quite simply, one of the most important things that an academic should be doing right now.” While the authors go on to make a case that multi-author blogging is the way to go, which I’m not sure I agree with, I am on board with most of their other points. Disseminating our ideas to other scholars at a rate much faster than the peer-review process is a wonderful opportunity that I think scholars ignore at their own risk.

The authors assert that “social scientists have an obligation to society to contribute their observations to the wider world.” I couldn’t agree more. The stereotype of the ivory tower as an isolated realm of curmudgeonly intellectuals has always bothered me, and we tend to get the worst of it in the humanities since philosophy is useless speculation, right? Art history is irrelevant to all but specialists, right? And studying folklore prepares you to write children’s books, of course (note the heavy dose of sarcasm).

I’ve always believed that any study of any human activity is worthwhile. Period. The whole purpose of theory is to explore and articulate the connections between the particular and the general. So when I study a specific culture or sub-culture, no matter how small, I am learning something about how that group deals with their living conditions in a way that is both specific to them and relates back to people as a whole. When I study a certain genre, such as fairy tales or dance, I am learning how people creatively respond to their life experiences. People of all ages and cultures and genders and religions encounter horribly arbitrary (and arbitrarily horrible) things in their lives – but they also have some agency, some shape to fit their experiences into according to their belief systems and individual temperaments.

At risk of overgeneralizing, the shape that people gives their lives is folklore. It’s partly absorbed from culture, partly sculpted by the individual; it’s the dynamic tension between group identity and individual identity. It’s the creative response to anything and everything that is shared and collective yet impacts one on a personal level. Everything that we experience shapes us, but we also push back at the mold, choosing which stories to tell and respond to, choosing which signs to put on our bodies and smartphones.

I blog to put my ideas out there. I blog because I love to write about what I study (okay, I love to write in general), and because i believe that what I study is relevant to just about everyone. I know not everyone will respond to folklore as passionately as I do, but that’s okay. The internet is big and there’s room enough for everyone to pull up a chair and tell their stories.

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I just returned from a trip to India that was mostly a “working vacation” (I gave a conference paper, delivered several lectures, and did some preliminary fieldwork) but was still fun.

This Chronicle essay aptly captures some of my dilemmas as a scholar interested in India. The author notes: “As a member of the post-Orientalism-smackdown generation, I spent much of my time in India acutely self-conscious of the ways in which I, an enthusiastic academic wielding grand theories, might unwittingly perpetuate the abridgments, abstractions, and ‘positional superiority’ that so frustrated Said.”

Scholarly discourses have the potential to be colonizing, even when well-intended. I found this out when I presented my lecture introducing the digital humanities, and a member of the audience asked whether the “DH” might not more aptly stand for De Humanizing scholarship. He argued that Western technologies take on a colonizing function when used to study non-Western cultures… which I agree with, somewhat. But what to do? I noted that many of the DH tech and tools are available for free online, so all you really need is an internet connection to join the dialogue. Yet some of the universities I visited still lack a wired infrastructure. Electricity goes out during class, disrupting powerpoint presentations. One campus was usually left without electricity after dusk, making it impossible to work unless you had gas lamps and a fully charged laptop. What could I really say that would address the power inequalities and access disparities at work here?

We had a fruitful discussion after my DH presentation, and I’m confident that I at least gave local scholars something to think about. But they also gave me something to think about – which I think is the most important part of scholarly dialogue. It was an exchange, not a monologue. I offered more questions than answers, and they responded in kind. It’s a start, at least.

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I sorta found the digital humanities by accident. Or rather, they found me.

But before I launch into that story, I want to remark on the significance of personal narratives in both daily life and disciplinary identities. I learned from my mentor Sandra Dolby, Professor Emerita of Folklore at Indiana University, that personal narratives are told to entertain and educate, but they also serve much deeper functions in social life. Telling a personal narrative is an invitation to intimacy: the teller offers up information about her worldview, politics, and social positioning.

The stories we tell that become part of our personal repertoires, rehearsed and formulaic, help define us to ourselves and to others. In the shifting world of digital humanities, where definitions and goals of the movement are still in flux, this is something important to keep in mind.

Back to my story. I was in the early stages of figuring out how exactly to implement the project I’d chosen for my dissertation: analyzing gender and the body in classical European fairy tales. I knew I wanted to bring in feminist theory, gender studies, and theories of the body, which folklorists have largely neglected to utilize. I was certain that bringing these interdisciplinary theories into dialogue with folkloristic theories would be very productive, and would help illuminate the meanings of fairy tales, which have been so persistent and pervasive in Western culture for the last few centuries. I also knew that I wanted an empirical dimension to my project–but how?

My first idea would’ve been terribly grueling. Once I’d selected my 233 texts to analyze, I decided to count the mentions of bodies and bodies parts by hand. Oldschool. Pencil and paper. “One nose. Two ears.” Etc. That would’ve taken foreeeever.

Luckily, my friend and colleague Scott Weingart had a better idea. Why not just make a database? That way, the computer can count the body instances, and also run simple statistics, and by the way there’s this cool thing called digital humanities that is all about this kind of research and will have more resources!

We collaborated on how to set up a database (actually, we ended up using a spreadsheet for simplicity’s sake), and then I hand-coded the bloody thing, which took a frustratingly long time, but saved a lot of time in terms of computation and analysis. On the plus side, spending that much time with my data helped me to really get a feel for it; I knew we’d be getting all kinds of cool numbers out of it when I finished coding, but it was quite helpful to subjectively experience the preponderance of certain kinds of body parts in my data (lots of people in French fairy tales fall to their knees begging for mercy, for instance).

But as soon as we started pulling out data… wow. It was really fascinating to see how many of the bodies described in fairy tales are young rather than old; how many more times beauty is mentioned with women rather than with men, and so on. The collaborative aspect of the project was also very cool, and it taught me a lot about how disciplinary experts can work together to contribute to knowledge that enhances both their fields.

In addition to the papers I delivered solo at folklore conferences, Scott and I gave papers at Digital Humanities 2011 and the 2011 meeting of the American Folklore Society. Both were well-received, to say the least–our Digital Humanities paper won the Paul Fortier Prize!

Without rehashing all of my dissertation work, I can summarize my encounter with the digital humanities as extremely productive (plus DH folks are some of my favorite people to follow on Twitter!). The overall thrust of my narrative seems to be: I wanted to do something, wasn’t quite sure how, and the digital humanities provided me with both a solution and inspiration to do more work along these lines (this is, incidentally, one of the barest narrative structures known to folklorists: lack and lack liquidated in the words of Vladimir Propp and Alan Dundes). I don’t know yet what my next project will be–perhaps an online ethnography? a crowd-sourced interpretation of fairy tales? an online archive of traditional dance cultures?–but I do know that I’m in the digital humanities for good.

I’ll close this post with a question: what do other digital humanities scholars’ personal narratives look like? How did the rest of you discover, invent, or stumble upon the field? Maybe this is just my ethnographic training speaking up, but I’d really love to collect and assemble our scholarly personal narratives. I think it’d provide a fascinating glimpse of the field’s contours, and if archived in public webspace, it could also help insiders find potential collaborators and outsiders to better understand what we do (and possibly join in).

Update: yes, I’ve seen Pannapacker’s Come To DH Moment piece. I’d love to see a more coherent narrative explaining someone’s “come to DH moment” though perhaps a different venue is needed to collect these narratives?

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